Finding Birt Acres : The Rediscovery of a Film Pioneer
Book Details
Format
Hardback or Cased Book
Book Series
Exeter Studies in Film History
ISBN-10
1804131466
ISBN-13
9781804131466
Publisher
University of Exeter Press
Imprint
University of Exeter Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 24th, 2025
Print length
336 Pages
Weight
680 grams
Dimensions
16.40 x 24.20 x 2.80 cms
Ksh 16,200.00
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Birt Acres was the first commercial filmmaker in Britain and Germany but has been ill-served by film history. Of mysterious origins, this book tells his full story for the first time: tracing his American beginnings, his fame in the field of British photography, his embrace of the moving image and his later, overlooked years.
Apparently from Virginia, Birt Acres appeared out of nowhere in Britain aged 35, without a trace of his former life. Yet immediately he became a prominent figure in the late Victorian photographic world. He soon teamed up with Robert Paul to make a moving picture camera and then shot the first commercial films in Britain in spring 1895, in parallel with the work of the Lumière brothers in France, before repeating this in Germany. His innovations included being the first to establish a dedicated venue for watching films, to give a Royal Command Performance of moving pictures, to create screen advertising, and to design a home movie camera. A disdain for showbusiness led to Acres squandering the commercial opportunities he created, and initiated the erasure of his remarkable story. From early in the twentieth century, film historians have consistently underestimated and undervalued his achievements. In this book, for the first time, we see a detailed and compelling portrait of Birt Acres, with substantial new research on his early work in moving pictures and on the careers of his associates, leading directly to new interpretations of the importance of this elusive pioneer. It draws on a wealth of fresh sources, with a massively expanded filmography supporting this re-evaluation. Written by three specialists in early film history, this volume significantly revises the received story of Birt Acres, at the same time casting new light on the beginnings of cinema in Britain.
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