For They Know Not What They Do : Enjoyment as a Political Factor
by
Slavoj Zizek
Book Details
Format
Paperback / Softback
Book Series
Radical Thinkers Set 03
ISBN-10
1844672123
ISBN-13
9781844672127
Publisher
Verso Books
Imprint
Verso Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 17th, 2008
Print length
396 Pages
Weight
376 grams
Dimensions
19.70 x 13.20 x 3.10 cms
Ksh 4,700.00
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An analysis of the roles of pleasure and desire in contemporary politics.
Psychoanalysis is less merciful than Christianity. Where God the Father forgives our ignorance, psychoanalysis holds out no such hope. Ignorance is not a sufficient ground for forgiveness since it masks enjoyment; an enjoyment which erupts in those black holes in our symbolic universe that escape the Father’s prohibition.
Today, with the disintegration of state socialism, we are witnessing this eruption of enjoymnet in the re-emergence of aggressive nationalism and racism. With the lid of repression lifted, the desires that have emerged are far from democratic. To explain this apparent paradox, says Slavoj iek, socialist critical thought must turn to psychoanalysis.
For They Know Not What They Do seeks to understand the status of enjoyment within ideological discourse, from Hegel through Lacan to these political and ideological deadlocks. The author’s own enjoyment of “popular culture” makes this an engaging and lucid exposition, in which Hegel joins hands with Rossellini, Marx with Hitchcock, Lacan with Frankenstein, high theory with Hollywood melodrama.
Today, with the disintegration of state socialism, we are witnessing this eruption of enjoymnet in the re-emergence of aggressive nationalism and racism. With the lid of repression lifted, the desires that have emerged are far from democratic. To explain this apparent paradox, says Slavoj iek, socialist critical thought must turn to psychoanalysis.
For They Know Not What They Do seeks to understand the status of enjoyment within ideological discourse, from Hegel through Lacan to these political and ideological deadlocks. The author’s own enjoyment of “popular culture” makes this an engaging and lucid exposition, in which Hegel joins hands with Rossellini, Marx with Hitchcock, Lacan with Frankenstein, high theory with Hollywood melodrama.
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