Forms of Non-Belonging
Book Details
Format
Paperback / Softback
Book Series
Sternberg Press / e-flux journal
ISBN-10
1915609755
ISBN-13
9781915609755
Publisher
Not Stated
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 20th, 2026
Ksh 4,500.00
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Reflections on the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.
According to Pelin Tan, there are forms of belonging that do not quite belong. In this collection of essays and conversations with artists and practitioners across twenty years of research and fieldwork, she sets out to situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society relative to the production of space, structural violence, shifting landscapes, and desecration of the environment. She also engages methodological questions integral to critical practice, including radical pedagogy, forms of commoning, non-hegemonic instituting practices, and the imagination of survival.
How can the experience of art reveal and embody the voice of apocalyptic landscapes? How can the effects of large-scale disasters be memorialized through artistic and architectural methodologies? In addressing such questions, the book aims to advance collective critical thinking by inviting the reader to engage with particular artifacts and architectures as traces of an apocalyptic era, lands as strata of violence, cycles as Earth’s navigation, and exile as a form of semi-voluntary collectivity.
Co-published by e-flux journal
According to Pelin Tan, there are forms of belonging that do not quite belong. In this collection of essays and conversations with artists and practitioners across twenty years of research and fieldwork, she sets out to situate the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society relative to the production of space, structural violence, shifting landscapes, and desecration of the environment. She also engages methodological questions integral to critical practice, including radical pedagogy, forms of commoning, non-hegemonic instituting practices, and the imagination of survival.
How can the experience of art reveal and embody the voice of apocalyptic landscapes? How can the effects of large-scale disasters be memorialized through artistic and architectural methodologies? In addressing such questions, the book aims to advance collective critical thinking by inviting the reader to engage with particular artifacts and architectures as traces of an apocalyptic era, lands as strata of violence, cycles as Earth’s navigation, and exile as a form of semi-voluntary collectivity.
Co-published by e-flux journal
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