Four Contemporary Korean Plays
by
Lee Yun Taek
Book Details
Format
Paperback / Softback
ISBN-10
0761837035
ISBN-13
9780761837039
Publisher
University Press of America
Imprint
University Press of America
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 30th, 2007
Print length
166 Pages
Weight
268 grams
Dimensions
23.10 x 15.40 x 1.30 cms
Product Classification:
Plays, playscripts
Ksh 7,650.00
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South Korean drama has received considerable attention in Europe and Asia, but, until recently, received only scant attention in the United States. This anthology contains early works (1989-1993) by one of Korea's leading theatre artists. These works reflect the nature of Lee Yun Taek's genius, his contributions to contemporary Korean theatre and the socio-political climate in South Korea during the release of his early works. They are indeed "brief chronicles of their time." The plays, Citizen K; O-Gu: A Ceremony of Death; Mask of Fire: Ceremony of Power; and The Dummy Bride: A Ceremony of Love, are a collection that illuminate such polarities as purity/depravity, madness/reason, power/impotence, life/death, and freedom/oppression. These polarities are clearly Korean in form and substance, but their subject matter and motifs are universal. An introductory essay addresses particular aspects of each drama with extensive notes accompanying each play, which include information about Korean society, culture, and history.
South Korean drama has received considerable attention in Europe and Asia, but, until recently, received only scant attention in the United States. This anthology contains early works (1989-1993) by one of Korea''s leading theatre artists. These works reflect the nature of Lee Yun Taek''s genius, his contributions to contemporary Korean theatre and the socio-political climate in South Korea during the release of his early works. They are indeed "brief chronicles of their time." The plays, Citizen K; O-Gu: A Ceremony of Death; Mask of Fire: Ceremony of Power; and The Dummy Bride: A Ceremony of Love, are a collection that illuminate such polarities as purity/depravity, madness/reason, power/impotence, life/death, and freedom/oppression. These polarities are clearly Korean in form and substance, but their subject matter and motifs are universal. An introductory essay addresses particular aspects of each drama with extensive notes accompanying each play, which include information about Korean society, culture, and history.
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