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Francis Bacon
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Francis Bacon : The Logic of Sensation

Book Details

Format Paperback / Softback
ISBN-10 1350040827
ISBN-13 9781350040823
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Academic
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 19th, 2017
Print length 168 Pages
Weight 220 grams
Dimensions 14.10 x 21.50 x 1.00 cms
Product Classification: Theory of artPhilosophy: aesthetics
Ksh 4,150.00
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In this landmark text by one of the most influential philosophers of the twentieth century, Gilles Deleuze takes the paintings of Francis Bacon as his object of his study. The book presents a deep engagement with Bacon's work and the nature of art. Deleuze analyzes the distinctive innovations that came to mark Bacon's style: the isolation of the figure, the violation and deformations of the flesh, the complex use of color, the method of chance, and the use of the triptych form. Here Deleuze creates a number of his well-known concepts, such as the 'body without organs' and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions. Deleuze links Bacon's work to Cezanne's notion of a 'logic' of sensation and, investigating this logic, explores Bacon's crucial relation to past painters such as Cezanne, Velasquez, and Soutine.
In this landmark text by one of the most influential philosophers of the twentieth century, Gilles Deleuze takes the paintings of Francis Bacon as his object of his study. The book presents a deep engagement with Bacon''s work and the nature of art. Deleuze analyzes the distinctive innovations that came to mark Bacon''s style: the isolation of the figure, the violation and deformations of the flesh, the complex use of color, the method of chance, and the use of the triptych form. Here Deleuze creates a number of his well-known concepts, such as the ''body without organs'' and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions. Deleuze links Bacon''s work to Cezanne''s notion of a ''logic'' of sensation and, investigating this logic, explores Bacon''s crucial relation to past painters such as Cezanne, Velasquez, and Soutine.

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