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Fraught Balance
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Fraught Balance : The Embodied Politics of Dabke Dance Music in Syria

by Shayna M Silverstein

Book Details

Format Paperback / Softback
ISBN-10 0819501034
ISBN-13 9780819501035
Publisher Wesleyan University Press
Imprint Wesleyan University Press
Country of Manufacture US
Country of Publication GB
Publication Date Jul 31st, 2024
Print length 320 Pages
Weight 548 grams
Dimensions 15.30 x 22.80 x 2.40 cms
Product Classification: Folk dancing Theory of music & musicology Folk & traditional music World music Middle Eastern history
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A vivid and intricate study of dance music traditions that reveals the many contradictions of Syrian identity in the 21st century  Dabke, one of Syria's most beloved dance music traditions, is at the center of the country's war and the social tensions that preceded conflict. Drawing on almost two decades of ethnographic, archival, and digital research, Shayna M. Silverstein shows how dabke dance music embodies the fraught dynamics of gender, class, ethnicity, and nationhood in an authoritarian state. The book situates dabke politically, economically, and historically in a broader account of expressive culture in Syria's recent (and ongoing) turmoil. Silverstein shows how people imagine the Syrian nation through dabke, how the state has coopted it, how performances of masculinity reveal—and play with—the tensions and complexities of the broader social imaginary, how forces opposed to the state have used it resistively, and how migrants and refugees have reimagined it in their new homes in Europe and the United States. She offers deeply thoughtful reflections on the ethnographer's ethical and political dilemmas on fieldwork in an authoritarian state. Silverstein's study ultimately questions the limits of authoritarian power, considering the pleasure and play intrinsic to dabke circles as evidence for how performance cultures sustain social life and solidify group bonds while reproducing the societal divides endemic to Syrian authoritarianism.
A vivid and intricate study of dance music traditions that reveals the many contradictions of Syrian identity in the 21st century  Dabke, one of Syria''s most beloved dance music traditions, is at the center of the country''s war and the social tensions that preceded conflict. Drawing on almost two decades of ethnographic, archival, and digital research, Shayna M. Silverstein shows how dabke dance music embodies the fraught dynamics of gender, class, ethnicity, and nationhood in an authoritarian state. The book situates dabke politically, economically, and historically in a broader account of expressive culture in Syria''s recent (and ongoing) turmoil. Silverstein shows how people imagine the Syrian nation through dabke, how the state has coopted it, how performances of masculinity reveal—and play with—the tensions and complexities of the broader social imaginary, how forces opposed to the state have used it resistively, and how migrants and refugees have reimagined it in their new homes in Europe and the United States. She offers deeply thoughtful reflections on the ethnographer''s ethical and political dilemmas on fieldwork in an authoritarian state. Silverstein''s study ultimately questions the limits of authoritarian power, considering the pleasure and play intrinsic to dabke circles as evidence for how performance cultures sustain social life and solidify group bonds while reproducing the societal divides endemic to Syrian authoritarianism.

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