Freedom to Believe : Essays and Letters
Book Details
Format
Hardback or Cased Book
ISBN-10
1611482925
ISBN-13
9781611482928
Publisher
Bucknell University Press
Imprint
Bucknell University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
May 1st, 2010
Print length
263 Pages
Weight
515 grams
Dimensions
24.40 x 16.70 x 2.00 cms
Product Classification:
PhilosophyReligion & beliefs
Ksh 18,450.00
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Freedom to Believe is a powerful collection of philosophical and religious essays by a modern poet of distinction. It introduces a highly original and controversial thinker to the Western reader. Olga Sedakova's central philosophical thought lies in the notion of existential freedom in its association with the liberating power of the arts, especially poetry. These convictions place her firmly in the Russian and European classical cultural traditions, which, in turn, have deep roots in Christianity. Devoutly Orthodox yet fiercely independent in her thinking, Sedakova's ecumenical humanism places her in opposition to both the "new left" and modern fundamentalism. Indeed, Sedakova's "conservatism" is more genuinely new than the so-called radicalism of the postmodernists, as she castigates "old totalitarianism" and new commercialism alike, in the name of a new cultural poetics and politics.
Freedom to Believe is a powerful collection of philosophical and religious essays by a modern poet of distinction. It introduces a highly original and controversial thinker to the Western reader. Olga Sedakova''s central philosophical thought lies in the notion of existential freedom in its association with the liberating power of the arts, especially poetry. These convictions place her firmly in the Russian and European classical cultural traditions, which, in turn, have deep roots in Christianity. Devoutly Orthodox yet fiercely independent in her thinking, Sedakova''s ecumenical humanism places her in opposition to both the "new left" and modern fundamentalism. Indeed, Sedakova''s "conservatism" is more genuinely new than the so-called radicalism of the postmodernists, as she castigates "old totalitarianism" and new commercialism alike, in the name of a new cultural poetics and politics.
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