From Barbarians to New Men : Greek, Roman, and Modern Perceptions of Peoples from the Central Apennines
by
Emma Dench
Book Details
Format
Hardback or Cased Book
Book Series
Oxford Classical Monographs
ISBN-10
0198150210
ISBN-13
9780198150213
Publisher
Oxford University Press
Imprint
Clarendon Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 2nd, 1995
Print length
268 Pages
Weight
466 grams
Dimensions
22.50 x 14.30 x 2.10 cms
Product Classification:
European historyAncient history: to c 500 CESocial & cultural history
Ksh 37,000.00
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This book explores the paradox in Greek and Roman perceptions of the mountain peoples in early Italy - as either dangerous, decadent, and snake-charming barbarians, or as austere, morally upright country-people and soldiers. The author is one of the first to consider in detail the different cultures of ancient Italy and show how Roman identity developed to encompass them.
The Central Apennine peoples, represented alternately as decadent and dangerous snake-charming barbarians or as personifications of manly wisdom and virtue, as austere and worthy "new men", were important figures in Greek and Roman ideology. Concentrating on the period between the later fourth century BC and the aftermath of the Social War, this book considers the ways in which Greek and Roman perceptions of these peoples developed, reflecting both the shifting needs of Greek and Roman societies and the character of interaction between the various cultures of ancient Italy. Most importantly, it illuminates the development of a specifically Roman identity, through the creation of an ideology of incorporation. The book is also about the interface between these attitudes and the dynamics of the perception of local communities in Italy of themselves, illuminated by both literary and archaeological evidence. An important new contribution to modern debates on Greek and Roman perceptions of other peoples, the book argues that the closely interactive conditions of ancient Italy helped to produce far less distanced and exotic images than those of the barbarians in fifth-century Athenian thought.
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