From Printing to Streaming – Cultural Production under Capitalism : Cultural Production under Capitalism
Book Details
Format
Paperback / Softback
Book Series
Marxism and Culture
ISBN-10
0745340962
ISBN-13
9780745340968
Publisher
Pluto Press
Imprint
Pluto Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 20th, 2022
Print length
272 Pages
Weight
298 grams
Dimensions
14.00 x 21.60 x 2.40 cms
Product Classification:
Art: financial aspectsPhotography & photographsPhotography and photographsCultural studiesCultural studiesFar-left political ideologies and movementsMarxism & CommunismPolitical economyEconomic systems & structuresEconomic systems and structuresMedia, entertainment, information and communication industriesMedia, information & communication industriesImpact of science & technology on societyImpact of science and technology on societyPrinting & reprographic technologyPrinting and reprographic technologies
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Explores the impact of digital technologies on the logic of cultural capitalism
**Shortlisted for the Deutscher Memorial Prize 2023**For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media. Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code. Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age.
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