From the Clarinet D'Amour to the Contra Bass : A History of the Large Size Clarinets, 1740-1860

This book is the first detailed study of the history and development of six large size clarinets: clarinet d''amour, alto clarinet, basset horn, bass clarinet, contra alto clarinet, and contra bass clarinet from 1740 to 1860. The majority of extant instruments are described and discussed, along with extant music of the period. Some of the most memorable and important music written includes Mozart''s Serenade in B for thirteen instruments, Beethoven''s basset horn solo in The Creatures of Prometheus, and Meyerbeer''s bass clarinet solo in Les Huguenots.

Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d''amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider''s look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras were the results of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments'' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves --Rice''s expert presentation is nothing short of exhaustive. From the Clarinet d''Amour to the Contrabass will engage all who love the clarinet and its music.