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Gender and the Self in Latin American Literature
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Gender and the Self in Latin American Literature

Book Details

Format Hardback or Cased Book
ISBN-10 0415708311
ISBN-13 9780415708319
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 21st, 2015
Print length 240 Pages
Weight 490 grams
Dimensions 16.00 x 23.60 x 1.90 cms
Ksh 30,600.00
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This book explores six texts from across Spanish America in which the coming-of-age story (''Bildungsroman'') offers a critique of gendered selfhood as experienced in the region’s socio-cultural contexts. Looking at a range of novels from the late twentieth century, Staniland explores thematic concerns in terms of their role in elucidating a literary journey towards agency: that is, towards the articulation of a socially and personally viable female gendered identity. Myth, exile and the female body are the central themes for understanding the personal, social and political aims of the women writers analysed in this volume: Isabel Allende, Laura Esquivel, Ángeles Mastretta, Sylvia Molloy, Cristina Peri Rossi and Zoé Valdés.

This book explores six texts from across Spanish America in which the coming-of-age story (''Bildungsroman'') offers a critique of gendered selfhood as experienced in the region’s socio-cultural contexts. Looking at a range of novels from the late twentieth century, Staniland explores thematic concerns in terms of their role in elucidating a literary journey towards agency: that is, towards the articulation of a socially and personally viable female gendered identity, mindful of both the hegemonic discourses that constrain it, and the possibility of their deconstruction and reconfiguration.

Myth, exile and the female body are the three central themes for understanding the personal, social and political aims of the Post-Boom women writers whose work is explored in this volume: Isabel Allende, Laura Esquivel, Ángeles Mastretta, Sylvia Molloy, Cristina Peri Rossi and Zoé Valdés. Their adoption, and adaptation, of an originally eighteenth-century and European literary genre is seen here to reshape the global canon as much as it works to reshape our understanding of gendered identities as socially constructed, culturally contingent, and open-ended.


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