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Gender, Orientalism and the Jewish Nation
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Gender, Orientalism and the Jewish Nation : Women in the Work of Ephraim Moses Lilien at the German Fin de Siecle

Book Details

Format Paperback / Softback
ISBN-10 1501374869
ISBN-13 9781501374869
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Visual Arts
Country of Manufacture US
Country of Publication GB
Publication Date Apr 8th, 2021
Print length 368 Pages
Weight 752 grams
Dimensions 15.40 x 22.80 x 2.40 cms
Ksh 5,450.00
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Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien’s work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien’s groundbreaking male iconography in Zionist art, but is the first to examine Lilien’s complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien’s female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.

Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien''s work available in English, making this book an important contribution to historical and art-historical scholarship.

Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien''s groundbreaking male iconography in Zionist art, but is the first to examine the complex and nuanced depiction of women which comprised a major dimension of his work. Lilien''s female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.


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