Gender, Sex, and Sexuality in Musical Theatre : He/She/They Could Have Danced All Night
Book Details
Format
Paperback / Softback
ISBN-10
1789389542
ISBN-13
9781789389548
Publisher
Intellect
Imprint
Intellect Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 5th, 2024
Print length
350 Pages
Weight
608 grams
Dimensions
16.90 x 24.50 x 2.30 cms
Product Classification:
The arts: general issuesPerformance artFilms, cinemaMusicalsGender studies, gender groups
Ksh 6,350.00
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This new collection brings together the romance, love, and lust encompassing the musical genre. Established and emergent scholars wrestle with gender, sex, and sexuality across methodologies, periods, identities, and nations as they dig into a cultural site many have framed as one of the most culturally conservative theatrical forms. 10 b&w illus.
Established and emerging musical theater scholars wrestle with the complexities of the gendered and sexualized musical theater form.
Critics and fans alike often mistake theatrical song and dance as simplistic, heteronormative, and traditional. This collection troubles this over-idealized notion of musical theatre, tackling divas, chorus boys, and the Rockettes; hit shows such as Hamilton and Spring Awakening; and lesser-known but groundbreaking gems like Erin Markeys A Ride on The Irish Cream and Kirsten Childss Bella: An American Tall Tale.
The book takes a broad look at musical theater across a range of intersecting lenses including race, nation, form, dance, casting, marketing, pedagogy, industry, stardom, politics, and platform. Undermining the musical forms conservative façade, scholars drive home the fact that gender and desire have long been at the heart of the musical. This exciting and vibrant collection of articles takes sex, sexuality, and gendered complexity out of the musicals liner notes and back above the marquee.
Critics and fans alike often mistake theatrical song and dance as simplistic, heteronormative, and traditional. This collection troubles this over-idealized notion of musical theatre, tackling divas, chorus boys, and the Rockettes; hit shows such as Hamilton and Spring Awakening; and lesser-known but groundbreaking gems like Erin Markeys A Ride on The Irish Cream and Kirsten Childss Bella: An American Tall Tale.
The book takes a broad look at musical theater across a range of intersecting lenses including race, nation, form, dance, casting, marketing, pedagogy, industry, stardom, politics, and platform. Undermining the musical forms conservative façade, scholars drive home the fact that gender and desire have long been at the heart of the musical. This exciting and vibrant collection of articles takes sex, sexuality, and gendered complexity out of the musicals liner notes and back above the marquee.
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