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Ghost Words and Invisible Giants
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Ghost Words and Invisible Giants : H.D., Djuna Barnes, and the Language of Suffering

Book Details

Format Hardback or Cased Book
ISBN-10 1683932307
ISBN-13 9781683932307
Publisher Fairleigh Dickinson University Press
Imprint Fairleigh Dickinson University Press
Country of Manufacture US
Country of Publication GB
Publication Date Jul 15th, 2021
Print length 308 Pages
Weight 640 grams
Dimensions 22.80 x 16.20 x 3.00 cms
Ksh 21,400.00
Manufactured on Demand 0 in stock

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Lheisa Dustin describes “language of suffering” of iconic modernist authors H.D. and Djuna Barnes, tracing psychic splitting and virulent thought patterns in their creative works. She argues that this language, where word and meaning are disconnected, signals breaks in consciousness haunted by spectral objects of fear and desire.

In Ghost Words and Invisible Giants, Lheisa Dustin engages psychoanalytic theory to describe the “language of suffering” of iconic modernist authors H.D. and Djuna Barnes, tracing disconnection, psychic splitting, and virulent thought patterns in creative works that have usually been read as intentionally enigmatic. Dustin imbricates Barnes and H.D.’s sense of tenuous psychic boundaries with others – parent figures, otherworldly and divine beings, and ambivalent or malignant love objects – in their creative brilliance, suggesting that the writers’ works stage – and also help manage – their psychic suffering in language in which signifier (the sound or image of the word) and signified (what it means) are radically disconnected. The cryptic and ineffable styles of these texts thus involve attempts to embody the meanings that cannot be expressed through language. Dustin reads two of H.D.’s later works as examples of language that does not differentiate words, thoughts, and people from one another, and instead tries to include everything in its formulations of meaning. However, H.D., she argues, also seeks an end to this mental proliferation– an end that she associates with the hallucinatory return of difference as such. In contrast, Dustin reads two novels by Barnes as invoking and denying childhood secrets through the use of fetishized words. To supplement her psychoanalytic readings, Dustin considers the authors’ familial and romantic histories and their broader social involvements or noninvolvement (for instance, H.D.’s Occultist practices and psychoanalytic sessions, Barnes’s fascination with spectacle and her later reclusion), rendering a detailed and compelling analysis of the forces at play beneath enigmatic, “difficult” modernist literary works. Read in this light, the spectral and otherworldly figures and strange patterns of expression appearing in H.D.’s and Barnes’s writing, and perhaps much or our writing, signal the traumatic content that it tries to negate.


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