Glass Armonica : Poems
Book Details
Format
Paperback / Softback
ISBN-10
1571314660
ISBN-13
9781571314666
Publisher
Milkweed Editions
Imprint
Milkweed Editions
Country of Manufacture
CA
Country of Publication
GB
Publication Date
Jan 16th, 2014
Print length
96 Pages
Weight
141 grams
Product Classification:
PoetryPoetry by individual poets
Ksh 2,150.00
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The 18th-century glass armonica, a musical instrument whose sound emits from rotating water-filled vessels, has long held the power to mesmerize with its hauntingly sorrowful tones. Just as its song, which was once thought to induce insanity, wraps itself in and around the mind, Rebecca Dunham probes the depths of human psyche, inhabiting the voice
An exquisitely crafted” third collection of poems, this winner of the second-annual Lindquist & Vennum Prize for Poetry offers a prismatic portrait of the female body in the act of being touched” (G.C. Waldrep)
The 18th-century glass armonica, a musical instrument whose sound emits from rotating water-filled vessels, has long held the power to mesmerize with its hauntingly sorrowful tones. Just as its song, which was once thought to induce insanity, wraps itself in and around the mind, Rebecca Dunham probes the depths of human psyche, inhabiting the voices of historical female "hysterics" and inciting in readers a tranquil unease. These are poems spoken through and for the melancholic, the hysteric, the body dysmorphic from Mary Glover to Lavinia Dickinson to Freud''s famed patient, Dora. And like expert hands placed gently on the armonica’s rotating disks, Dunham offers unsettling depictions of uninvited human contact of hands laid upon the female body, of touch at times unwanted, and ultimately unspeakable from behind the hysteric''s "locked jaws." Winner of the 2013 Lindquist & Vennum Prize for Poetry, Dunham’s stunning third collection is "lush yet septic" (G.C. Waldrep), at once beautiful and unnerving.
The 18th-century glass armonica, a musical instrument whose sound emits from rotating water-filled vessels, has long held the power to mesmerize with its hauntingly sorrowful tones. Just as its song, which was once thought to induce insanity, wraps itself in and around the mind, Rebecca Dunham probes the depths of human psyche, inhabiting the voices of historical female "hysterics" and inciting in readers a tranquil unease. These are poems spoken through and for the melancholic, the hysteric, the body dysmorphic from Mary Glover to Lavinia Dickinson to Freud''s famed patient, Dora. And like expert hands placed gently on the armonica’s rotating disks, Dunham offers unsettling depictions of uninvited human contact of hands laid upon the female body, of touch at times unwanted, and ultimately unspeakable from behind the hysteric''s "locked jaws." Winner of the 2013 Lindquist & Vennum Prize for Poetry, Dunham’s stunning third collection is "lush yet septic" (G.C. Waldrep), at once beautiful and unnerving.
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