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Glenn Ligon: Work, Work, Work, Work, Work, Work
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Glenn Ligon: Work, Work, Work, Work, Work, Work

Book Details

Format Paperback / Softback
ISBN-10 3906915662
ISBN-13 9783906915661
Publisher Hauser & Wirth
Imprint Hauser & Wirth
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 21st, 2021
Print length 304 Pages
Weight 1,150 grams
Dimensions 21.60 x 27.20 x 2.80 cms
Product Classification: Individual artists, art monographs
Ksh 7,900.00
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"Glenn Ligon''s documentation of his studio practice offers a glimpse into the way the artist sees his work and understands his process. Presented chronologically, this artist-conceived volume-focusing primarily on this past year, also extending into years prior-traces the trajectory of Ligon''s art-making, intimately chronicling the development of paintings, neons, and works on paper, from conception to installation, time spent in his studio spaces, and other personal moments. These images are set in conversation with ''Soihu V''voihu (for Glenn Ligon)'' a new poem by artist and writer Gregg Bordowitz that deploys the form of multiple haikus to explore the juxtapositions, geometries, and associations of Ligon''s practice in language"--

A slipcased overview of Ligon’s recent studio practice, including his painterly elaborations on a James Baldwin essay

For four decades, New York–based artist Glenn Ligon (born 1960) has explored America’s literature and fraught racial history through works in a few signature mediums such as text-based paintings and neon. This volume, through studio documentation and a new text by fellow artist and New Yorker Gregg Bordowitz, focuses on various aspects of Ligon’s art-making. Glenn Ligon features newer works by the artist, such as a monumental new painting from Ligon’s ongoing Stranger in the Village series, begun in 1997. In the series, Ligon renders excerpts from novelist James Baldwin’s 1953 essay of the same name, which describes the writer’s experiences as an African American in a small town in Switzerland. Measuring 45 feet long, this triptych will mark the first time Ligon has used the entire text from Baldwin’s essay in a single work.


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