Go Back and Fetch It : Recovering Early Black Music in the Americas for Fiddle and Banjo
Book Details
Format
Paperback / Softback
ISBN-10
1469690578
ISBN-13
9781469690575
Publisher
The University of North Carolina Press
Imprint
The University of North Carolina Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Sep 16th, 2025
Print length
120 Pages
Weight
342 grams
Dimensions
21.60 x 27.90 x 1.00 cms
Product Classification:
Theory of music & musicologyTheory of music and musicologyMusical scores, lyrics & librettiMusical scores, lyrics and librettiGeneral & world historySocial & cultural historyEthnic studies / EthnicityEthnic studiesBlack & Asian studiesGeneral and world historySocial and cultural history
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For the first time, this groundbreaking songbook collaboration by music writer Kristina R. Gaddy and Grammy Award winner Rhiannon Giddens makes nineteen examples of early Black Atlantic music accessible and playable for today’s musicians, music enthusiasts, and historians. Presenting music from 1687 through the 1860s in modern treble clef and banjo tablature, along with the rich stories behind each song, Gaddy and Giddens take readers on a journey from the Caribbean across the Americas.
Immensely readable for amateurs and professionals alike, Go Back and Fetch It explains the significance of early Black Atlantic music and how the patterns of tunings, melodic lines, and lyrics shed light on the impact that Black American music has had on nineteenth-century popular music, early country, old time, and bluegrass. Each tune pairs with an engaging essay on its historical background and how the tune transformed over time, as well as information about the collector. Deeply researched and carefully approached, this essential source restores the roots of Black music to the musical canon.
Immensely readable for amateurs and professionals alike, Go Back and Fetch It explains the significance of early Black Atlantic music and how the patterns of tunings, melodic lines, and lyrics shed light on the impact that Black American music has had on nineteenth-century popular music, early country, old time, and bluegrass. Each tune pairs with an engaging essay on its historical background and how the tune transformed over time, as well as information about the collector. Deeply researched and carefully approached, this essential source restores the roots of Black music to the musical canon.
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