Grindhouse Nostalgia : Memory, Home Video and Exploitation Film Fandom
by
David Church
Book Details
Format
Hardback or Cased Book
ISBN-10
0748699104
ISBN-13
9780748699100
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 13th, 2015
Print length
296 Pages
Weight
594 grams
Dimensions
24.30 x 15.80 x 2.20 cms
Product Classification:
Film: styles & genres
Ksh 18,000.00
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In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today.
Too often dismissed as nothing more than ''trash cinema'', exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today.
Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of ''retrosploitation'' films like Grindhouse, Machete, Viva, The Devil''s Rejects and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema''s continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution and home video.
Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of ''retrosploitation'' films like Grindhouse, Machete, Viva, The Devil''s Rejects and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema''s continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution and home video.
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