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Guido Reni and Rome: Nature and Devotion
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Guido Reni and Rome: Nature and Devotion

Book Details

Format Paperback / Softback
ISBN-10 125463046Y
ISBN-13 9791254630464
Publisher Marsilio
Imprint Marsilio Arte
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 3rd, 2022
Print length 272 Pages
Weight 1,096 grams
Dimensions 20.30 x 25.20 x 2.70 cms
Product Classification: Art & design styles: Baroque
Ksh 5,000.00
Publisher Out of Stock 0 in stock

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On the Baroque painter’s early years in Rome and the origins of his vision of landscape paintingThe impetus behind this volume was the Italian state’s 2020 acquisition of the painting Landscape with a Country Dance (1601–02) by the Italian Baroque painter Guido Reni (1575–1642). The artwork’s return to its native land at the Galleria Borghese marked a prime opportunity to rediscover the artist and his oeuvre, particularly the landscapes and rural scenes he created during his early years in Rome. Nature and Devotion tracks the new vision of nature—a fusion of science and poetry—that Reni developed alongside his contemporaries (who included Niccolò dell’Abate, Annibale Carracci, Domenichino and Giovanni Battista Viola). Following the artist’s course up until his breakthrough fresco for the Casino of Cardinal Scipione Borghese, Aurora (1613–14), the volume conveys how the impressions he gathered during his early years in Rome established a robust foundation upon which he built his later masterpieces.

On the Baroque painter’s early years in Rome and the origins of his vision of landscape painting

The impetus behind this volume was the Italian state’s 2020 acquisition of the painting Landscape with a Country Dance (1601–02) by the Italian Baroque painter Guido Reni (1575–1642). The artwork’s return to its native land at the Galleria Borghese marked a prime opportunity to rediscover the artist and his oeuvre, particularly the landscapes and rural scenes he created during his early years in Rome.
Nature and Devotion tracks the new vision of nature—a fusion of science and poetry—that Reni developed alongside his contemporaries (who included Niccolò dell’Abate, Annibale Carracci, Domenichino and Giovanni Battista Viola). Following the artist’s course up until his breakthrough fresco for the Casino of Cardinal Scipione Borghese, Aurora (1613–14), the volume conveys how the impressions he gathered during his early years in Rome established a robust foundation upon which he built his later masterpieces.


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