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Handel's Muse : Patterns of Creation in his Oratorios and Musical Dramas, 1743-1751

By: (Author) David Ross Hurley

Manufactured on Demand
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Ksh 39,750.00

Format: Hardback or Cased Book

ISBN-10: 0198163967

ISBN-13: 9780198163961

Series: Oxford Monographs on Music

Publisher: Oxford University Press

Imprint: Oxford University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Feb 8th, 2001

Print length: 310 Pages

Weight: 666 grams

Dimensions (height x width x thickness): 24.20 x 16.30 x 2.10 cms

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This book represents the most thorough study to date of Handel's compositional procedures in his English oratorios and musical dramas. Exploring the composer's sketches and autograph scores, it offers fresh insights into the creative mind of one of the leading figures in Baroque music.
Handel''s frequent and extensive alterations to his scores yield much valuable information on musical and extra-musical matters. This book represents the most thorough study to date of Handel''s compositional procedures in his English oratorios and musical dramas. David Hurley examines six major works composed between 1743 and 1751 (Semele, Hercules, Belshazzar, Solomon, Susanna, and Jephtha), explores changes in the autograph scores, and, where possible, traces the progress of musical ideas from sketches and/or borrowings through drafts to the first performance version. By studying recurring types of revisions, Hurley identifies Handel''s regular musical concerns while also addressing changes arising from specific dramatic situations. The later chapters of the book offer fresh insight into the relationship between music and text, evaluating for the first time the role of word painting in Handel''s compositional process and furthering our knowledge about Handel''s interactions with librettists and singers during the oratorio years.

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