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Hanna Bekker vom Rath (Bilingual edition)
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Hanna Bekker vom Rath (Bilingual edition) : A Rebel for Modern Art

Book Details

Format Paperback / Softback
ISBN-10 3777443549
ISBN-13 9783777443546
Publisher Hirmer Verlag
Imprint Hirmer Verlag
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 6th, 2024
Print length 256 Pages
Weight 842 grams
Dimensions 19.80 x 25.80 x 2.40 cms
Product Classification: History of art / art & design styles
Ksh 6,500.00
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Art collector, patron and arbiter – Hanna Bekker vom Rath (1893–1983) was a trailblazer for the artistic avant-garde and one of the most important female personalities in Germany during the pre-war and post-war modern periods. She was a friend of Karl Schmidt-Rottluff, Alexej von Jawlensky, Ida Kerkorius and Paul Klee. This lavishly illustrated volume provides a lively picture of a remarkable woman. A refuge for modernism – Hanna Bekker vom Rath promoted the art of the Brücke artists and the avant-garde in a variety of ways. Even during the National Socialist era her “Blue House” in Hofheim served as an intimate space for exchanges and exhibitions for the artists who were her friends. After the war she founded the Kunstkabinett in Frankfurt, the city’s first postwar gallery, and she undertook numerous international journeys on behalf of modern art. The texts and images sketch a multi-faceted portrait of an “ambassador of art” and document the influence of her achievements.
A multifaceted portrait of a vital ambassador of art.

Art collector, patron, and arbiter, Hanna Bekker vom Rath (1893–1983) was a trailblazer for the artistic avant-garde and one of the most important female personalities in Germany during the pre-war and post-war modern periods. This lavishly illustrated volume provides a lively picture of this remarkable woman.

A refuge for modernism, vom Rath promoted the art of the Brücke artists and the avant-garde in a variety of ways. Even during the National Socialist era, her Blue House in Hofheim served as an intimate space for exchanges and exhibitions for the artists who were her friends. Notably, she was a friend of Karl Schmidt-Rottluff, Alexej von Jawlensky, Ida Kerkorius, and Paul Klee. After the war, she founded the Kunstkabinett in Frankfurt, the city’s first postwar gallery, and she undertook numerous international journeys on behalf of modern art. The texts and images collected here sketch a multifaceted portrait of this important figure of art history, documenting the far-reaching influence of her achievements.
 

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