Hurvin Anderson
Book Details
Format
Hardback or Cased Book
ISBN-10
0847872173
ISBN-13
9780847872176
Publisher
Rizzoli International Publications
Imprint
Rizzoli International Publications
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 25th, 2022
Print length
320 Pages
Weight
2,548 grams
Dimensions
26.40 x 31.40 x 3.60 cms
Product Classification:
Individual artists, art monographs
Ksh 10,600.00
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This is the first comprehensive overview of the career to date of British-born Jamaican artist Hurvin Anderson (b.1965). Anderson is known for painting lush and loosely rendered observations of scenes and spaces loaded with personal meaning.
This is the first comprehensive overview of the career to date of British-born Jamaican artist Hurvin Anderson (b. 1965). Anderson is known for painting lush and loosely rendered observations of scenes and spaces loaded with personal meaning.
Turner Prize-nominated artist Hurvin Anderson is best known for his brightly painted, densely detailed landscapes and interior scenesparticularly those relating to his upbringing in the Afro-Caribbean community in the Midlands of England, as well as more recent trips to the Caribbean. Andersons luscious paintings have hybridity at their heart. A tug-of-war plays out between abstraction and figuration, nature versus the manmade, beauty and menace, and his British and Jamaican heritage.
Born in the United Kingdom as a member of the Jamaican diaspora, Anderson relates to the Caribbean as both insider and outsider, aware of the mythmaking that the idea of lost or future paradise generates. This book, Andersons first major monograph, has been carefully curated by the artist himself and includes paintings, sketches, source material and ephemera, and studio shots. The volume also features a foreword by Courtney J. Martin, an in-depth and deeply considered essay by art historian Catherine Lampert, poems by Roger Robinson, and an illustrated chronology.
Turner Prize-nominated artist Hurvin Anderson is best known for his brightly painted, densely detailed landscapes and interior scenesparticularly those relating to his upbringing in the Afro-Caribbean community in the Midlands of England, as well as more recent trips to the Caribbean. Andersons luscious paintings have hybridity at their heart. A tug-of-war plays out between abstraction and figuration, nature versus the manmade, beauty and menace, and his British and Jamaican heritage.
Born in the United Kingdom as a member of the Jamaican diaspora, Anderson relates to the Caribbean as both insider and outsider, aware of the mythmaking that the idea of lost or future paradise generates. This book, Andersons first major monograph, has been carefully curated by the artist himself and includes paintings, sketches, source material and ephemera, and studio shots. The volume also features a foreword by Courtney J. Martin, an in-depth and deeply considered essay by art historian Catherine Lampert, poems by Roger Robinson, and an illustrated chronology.
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