Hydro-criticism
Book Details
Format
Paperback / Softback
ISBN-10
1478004940
ISBN-13
9781478004943
Publisher
Duke University Press
Imprint
Duke University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Apr 4th, 2019
Print length
168 Pages
Weight
308 grams
Dimensions
17.90 x 25.40 x 0.70 cms
Product Classification:
Literary studies: generalCultural studiesOceanography (seas)The environment
Ksh 3,050.00
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As sea levels rise, ice caps melt, and the ocean acidifies, the twin forces of globalization and global warming have irrevocably braided human-centered history with the geologic force of the ocean. This reality has broadly challenged those working in the humanities, social sciences, and natural sciences to fundamentally alter the ways in which they produce knowledge. Contributors to this special issue of English Language Notes interrogate the methods of humanities’ recent oceanic turn-grouped here under the rubric of “ocean studies”-by reimagining human histories, aesthetics, and ontologies as entangled with the temporal and spatial scales, geographies, and agencies of the ocean. Topics include the representations of the sea and related technologies in 1950s films; multiple accounts of the ocean’s role as a mediator of power, colonization, and censorship; queer eroticism and the ocean; literature’s shifting account of seafaring in the modernist period and today; and the strange conundrum of T. S. Eliot’s “The Dry Salvages” as an inspiration for modern radical Caribbean scholars. Contributors. Hester Blum, Brandi Bushman, Jeremy Chow, Margaret Cohen, Elizabeth DeLoughrey, Harris Feinsod, Isabel Hofmeyr, Charne Lavery, Nicole Rizzuto, Meg Samuelson, Allison Shelton, Teresa Shewry, Maxwell Uphaus
As sea levels rise, ice caps melt, and the ocean acidifies, the twin forces of globalization and global warming have irrevocably braided human-centered history with the geologic force of the ocean. This reality has broadly challenged those working in the humanities, social sciences, and natural sciences to fundamentally alter the ways in which they produce knowledge. Contributors to this special issue of English Language Notes interrogate the methods of humanities’ recent oceanic turn-grouped here under the rubric of “ocean studies”-by reimagining human histories, aesthetics, and ontologies as entangled with the temporal and spatial scales, geographies, and agencies of the ocean. Topics include the representations of the sea and related technologies in 1950s films; multiple accounts of the ocean’s role as a mediator of power, colonization, and censorship; queer eroticism and the ocean; literature’s shifting account of seafaring in the modernist period and today; and the strange conundrum of T. S. Eliot’s “The Dry Salvages” as an inspiration for modern radical Caribbean scholars.
Contributors. Hester Blum, Brandi Bushman, Jeremy Chow, Margaret Cohen, Elizabeth DeLoughrey, Harris Feinsod, Isabel Hofmeyr, Charne Lavery, Nicole Rizzuto, Meg Samuelson, Allison Shelton, Teresa Shewry, Maxwell Uphaus
Contributors. Hester Blum, Brandi Bushman, Jeremy Chow, Margaret Cohen, Elizabeth DeLoughrey, Harris Feinsod, Isabel Hofmeyr, Charne Lavery, Nicole Rizzuto, Meg Samuelson, Allison Shelton, Teresa Shewry, Maxwell Uphaus
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