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I Am Legend as American Myth : Race and Masculinity in the Novel and Its Film Adaptations

By: (Author) Amy J. Ransom

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Ksh 7,200.00

Format: Paperback / Softback

ISBN-10: 1476668337

ISBN-13: 9781476668338

Publisher: McFarland & Co Inc

Imprint: McFarland & Co Inc

Country of Manufacture: US

Country of Publication: GB

Publication Date: Aug 19th, 2018

Print length: 231 Pages

Dimensions (height x width x thickness): 22.90 x 15.20 x 1.00 cms

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Richard Matheson''s 1954 novel I Am Legend has spawned a series of iconic horror and science fiction films, including The Last Man on Earth (1964), The Omega Man (1971) and I Am Legend (2007). The compelling narrative of the last man on earth, struggling to survive a pandemic that has transformed the rest of humanity into monsters, has become an American myth. While the core story remains intact, filmmakers have transformed the details over time, reflecting changing attitudes about race and masculinity.

This reexamination of Matheson''s novel situates the tale of one man''s conflicted attitude about killing racialized "others" within its original post-World War II context, engaging the question of post-traumatic stress disorder. The author analyzes the several film adaptations, with a focus on the casting and interpretations of protagonist Robert Neville.

Over the decades, Richard Matheson’s 1954 novel I Am Legend has spawned a series of iconic horror and science-fiction films, including The Last Man on Earth (1964) starring Vincent Price, The Omega Man (1971) featuring Charlton Heston, and I Am Legend (2007) with Will Smith. Its compelling narrative about the last man on earth struggling to survive a pandemic that has transformed the rest of humanity into monsters has arguably become an American myth. While its core story remains intact, filmmakers have transformed its details over time, their often mixed messages reflecting changing attitudes about race and masculinity in the United States. This reexamination of Matheson’s original novel situates its tale of a man’s conflicted attitude about killing racialized others within its post-World War II context, engaging the question of post-traumatic stress disorder. It then analyzes in turn the novel’s several film adaptations, focusing in particular on producers’ choice of actor to bring to life Robert Neville, the last man on earth. Released respectively during the Cold War and the Civil Rights Movement, the Vietnam War, and then much later in the post-9/11 era, these films reveal America’s ongoing struggle with racial conflict and the construction of masculinity.

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