Imagined Futures : Writing, Science, and Modernity in the To-Day and To-Morrow Book Series, 1923-31
by
Max Saunders
Book Details
Format
Paperback / Softback
ISBN-10
0198886446
ISBN-13
9780198886440
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 8th, 2023
Print length
448 Pages
Weight
662 grams
Dimensions
15.70 x 23.50 x 3.30 cms
Product Classification:
Literary studies: from c 1900 -Literary studies: fiction, novelists & prose writers
Ksh 5,700.00
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The first substantial history and analysis of the To-Day and To-Morrow series which published 110 books from 1923 to 1931 and included works by J. B. S. Haldane, Bertrand Russell, Vernon Lee, Robert Graves, Vera Brittain, Sylvia Pankhurst, Hugh MacDiarmid, James Jeans, J. D. Bernal, Winifred Holtby, and André Maurois.
This study provides the first substantial history and analysis of the To-Day and To-Morrow series of 110 books, published by Kegan Paul Trench and Trübner (and E. P. Dutton in the USA) from 1923 to 1931, in which writers chose a topic, described its present, and predicted its future. Contributors included J. B. S. Haldane, Bertrand Russell, Vernon Lee, Robert Graves, Vera Brittain, Sylvia Pankhurst, Hugh MacDiarmid, James Jeans, J. D. Bernal, Winifred Holtby, André Maurois, and many others. The study combines a comprehensive account of its interest, history, and range with a discussion of its key concerns, tropes, and influence.The argument focuses on science and technology, not only as the subject of many of the volumes, but also as method—especially through the paradigm of the human sciences—applied to other disciplines; and as a source of metaphors for representing other domains. It also includes chapters on war, technology, cultural studies, and literature and the arts.Imagined Futures: Writing, Science, and Modernity aims to reinstate the series as a vital contribution to the writing of modernity, and to reappraise modernism''s relation to the future, establishing a body of progressive writing which moves beyond the discourses of post-Darwinian degeneration and post-war disenchantment, projecting human futures rather than mythic or classical pasts. It also shows how, as a co-ordinated body of futurological writing, the series is also revealing about the nature and practices of modern futurology itself.
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