Inertia
by
Jack Segbars
Book Details
Format
Paperback / Softback
ISBN-10
9078454946
ISBN-13
9789078454946
Publisher
Onomatopee
Imprint
Onomatopee
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 12th, 2013
Print length
210 Pages
Weight
422 grams
Dimensions
14.90 x 22.10 x 2.30 cms
Product Classification:
Politics & government
Ksh 2,100.00
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Don’t wat to. Alright, here we go. Writing this is embarrassing. A trip to palestine, the West bank; Gaza would be best. It all seemed to fit and be a good plan. The reports on the Israeli attack on Gaza were shocking. The pointlessness of it, the feeling of powerlessness about it, caused a temporary involvement. Not with the people, but with the apathy concerned, the apathy of one’s personal situation. Commitment is an exercise against intertia. Art has insprirations as one of the social players and as a medium of research to bring about changes, among others by a method of critical reflection. This aspiration is based on a feeling of involvement, but what is the range of such a critical attitude?Visual artist Jack Segbars navigates in his visits to palestine between involvement and scepsis. The questions this raises are: what are the possibilities of artistic commitment? And in a general sense: how does the aesthetic relate to reality?Text and idea: Jack SegbarsText editing: Carinda StrangioTranslation: Willem GroenewegenPhotography: Jack Segbars Graphic design: Remco van Bladel i. c. w. Lisa ThissenPrinting: Lecturis
Don’t wat to. Alright, here we go. Writing this is embarrassing. A trip to palestine, the West bank; Gaza would be best. It all seemed to fit and be a good plan. The reports on the Israeli attack on Gaza were shocking. The pointlessness of it, the feeling of powerlessness about it, caused a temporary involvement. Not with the people, but with the apathy concerned, the apathy of one’s personal situation. Commitment is an exercise against intertia. Art has insprirations as one of the social players and as a medium of research to bring about changes, among others by a method of critical reflection. This aspiration is based on a feeling of involvement, but what is the range of such a critical attitude?Visual artist Jack Segbars navigates in his visits to palestine between involvement and scepsis. The questions this raises are: what are the possibilities of artistic commitment? And in a general sense: how does the aesthetic relate to reality?Text and idea: Jack SegbarsText editing: Carinda StrangioTranslation: Willem GroenewegenPhotography: Jack Segbars Graphic design: Remco van Bladel i. c. w. Lisa ThissenPrinting: Lecturis
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