Inma Femenía’s Duchampian take on physicality and perception as shaped by digital media
Accompanying Spanish artist Inma Femenía’s (born 1985) exhibition Infrathin at Bombas Gens Center d’Art in Valenica, Spain, this volume catalogs the artist’s installations and digital works and her approach to interpreting the physical body and space.
This catalogue accompanies the Infraleve exhibition by Inma Femenía at Bombas Gens Center d’Art, and shows the result of the research around the perception determined by digital media and the resulting experience of physical reality. A perception that modifies the appearance of the forms and that Femenía tries to capture through the use of different surfaces. The pixelation, the deterioration and the dissolution of the images on our screens are the echo of a reality that fadesand reconfigures itself as in a shadow theatre. This “digital” approach brings us back to Marcel Duchamp’s concept of the infra-minor: moments related to the physical body and space, extracted from the lightness of everyday life and where the true essence of art would be found. The catalogue includes images from the exhibition, a text by Joseph Constable and a conversation between Julia Castelló and the artist, accompanied by images from the Femenía studio and some photographs of its creation.
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