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Ink : A Novel

Book Details

Format Hardback or Cased Book
ISBN-10 0813196531
ISBN-13 9780813196534
Publisher The University Press of Kentucky
Imprint The University Press of Kentucky
Country of Manufacture US
Country of Publication GB
Publication Date Jan 24th, 2023
Print length 152 Pages
Weight 344 grams
Dimensions 14.80 x 22.60 x 2.00 cms
Ksh 3,600.00
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"We have extensive accounts, typed out neatly: ''They took me into a dark room and started hitting me on the head and stomach and legs. I stayed in this room for 5 days, naked, with no clothes.''"

Angela Woodward''s novel Ink tells the story of the two women who spend their days doing that neat typing. Sylvia and Marina, both single mothers, work in a suburban office building, transcribing tape recordings of witness statements describing detainee abuse at Abu Ghraib. Their ordinary preoccupations—problems with the soap in the restroom, the motives of Marina''s new love, Mr. Right, and Sylvia''s worries about paying for her son''s show choir costume—are a mundane backdrop to the violence represented by the transcripts.

Woodward layers essayistic explorations of the history of ink and writing materials into the women''s tale along with the story of the unfinished masterpiece of a French poet, and a writer''s notations about her daily commute and the lake behind her house. Then a new crime is revealed. Ink is an illuminating meditation on what it means to bear witness.

The brutality of war and abuse is juxtaposed with the banal in this story of two women who spend their days transcribing the testimonies of Abu Ghraib prisoners. The prisoners' gruesome accounts of physical and sexual abuse, torture, sodomy, and murder interrupt the ordinary lives and concerns of the typists, and reveal deeper – and more troubling – truths.   Sylvia is a single mother, haunted by the words of the prisoners' testimonies. Her job strains her already-fragmented relationship with her capricious teenage son. Marina's submissive ignorance allows her to become involved in a disturbing relationship with a man who engages her in humiliating and abusive sexual acts and indirectly involves her six-year-old daughter, causing the child to suffer troubling effects from bearing witness to the trauma.  Interjected within the lyrical prose is commentary about the history, development, and qualities of ink, as well as of other objects and elements (such as urine and water) that are part of the accounts of tortured prisoners as well as the lives of Sylvia and Marina. Taken together, this illuminating and meditative work reveals how correlations between the abuse of women, domestic violence, rape, and the abuse and torture of prisoners of war are not as disparate or detached as they might first appear.

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