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Innovative Impressions
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Innovative Impressions : Prints by Cassatt, Degas, and Pissarro

Book Details

Format Hardback or Cased Book
ISBN-10 3777429783
ISBN-13 9783777429786
Publisher Hirmer Verlag
Imprint Hirmer Verlag
Country of Manufacture DE
Country of Publication GB
Publication Date Jun 21st, 2018
Print length 144 Pages
Weight 1,068 grams
Dimensions 28.50 x 24.70 x 1.70 cms
Ksh 6,500.00
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In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro collaborated to found a periodical that would feature their prints. For much of their careers, this unlikely trio of artists used the medium of printmaking to inspire and challenge each other, and these dynamics played a crucial role in their creative process. Indeed, the intimacy of the small-scale works on paper spurred the artists to heights of daring and creativity that often exceeded even that of their paintings.
            The first in-depth study to focus on Cassatt, Degas, and Pissarro together, Innovative Impressions explores this under-examined aspect of their careers. Highlighting works drawn from collections across the United States, this volume reveals how these impressionists’ collaborative engagement with printmaking helped them to develop a visual language whose expressive potential far surpassed the traditional reproductive purpose of the medium and went on to inspire the uses of color for which these artists later became famous. 
Innovative Impressions explores an under-examined aspect of three impressionists’ careers: their groundbreaking prints and the new techniques they developed through collaboration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro formed the most active core of a group of artists planning a periodical to feature their prints. Through this collaborative effort they challenged each other to develop a new language of printmaking whose visual and expressive potential went well beyond the traditional reproductive purpose of the medium. Indeed, the intimacy of small-scale works on paper at times spurred the artists to be even more daringly creative than they were in their paintings. Their interactions and engagement with printmaking varied over time, culminating in the 1890s, when each developed distinctive methods of introducing color into their work. For much of their careers this unlikely trio of artists inspired and challenged each other, and these dynamics played a crucial role in their creative processes.

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