Institutional Patronage in Post-Tridentine Rome : Music at Santissima Trinita dei Pellegrini 1550-1650
by
Noel O'Regan
Book Details
Format
Hardback or Cased Book
Book Series
Royal Musical Association Monographs
ISBN-10
0947854061
ISBN-13
9780947854065
Publisher
Taylor & Francis Ltd
Imprint
Ashgate Publishing Limited
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 28th, 1995
Print length
128 Pages
Weight
384 grams
Dimensions
24.80 x 15.50 x 1.30 cms
Product Classification:
Sacred & religious music
Ksh 27,900.00
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The archconfraternity of SS. Trinità was one of the less well-known institutions for musical patronage in sixteenth-century Rome. Yet in focusing on its activities in the period 1550-1650, this book sheds light on networks of urban patronage that were equally important in commissioning the sacred music of the period as the Cappella Pontificia and the Cappella Giulia at St Peter''s. Not only did SS. Trinità provide Palestrina with his only known major involvement in sacred music outside the Cappella Giulia after 1571 it also employed at some time or another every major composer active in the city. Noel O''Regan discusses the importance of SS. Trinità in the sphere of Roman sacred music during this period and the ways in which this music was affected by social and religious factors in the play for power and prestige in post-tridentine Rome.
The archconfraternity of SS. Trinità was one of the less well-known institutions for musical patronage in sixteenth-century Rome. Yet in focusing on its activities in the period 1550-1650, this book sheds light on networks of urban patronage that were equally important in commissioning the sacred music of the period as the Cappella Pontificia and the Cappella Giulia at St Peter''s. Not only did SS. Trinità provide Palestrina with his only known major involvement in sacred music outside the Cappella Giulia after 1571 it also employed at some time or another every major composer active in the city. Noel O''Regan discusses the importance of SS. Trinità in the sphere of Roman sacred music during this period and the ways in which this music was affected by social and religious factors in the play for power and prestige in post-tridentine Rome.
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