InterMedia in South Asia : The Fourth Screen

This book investigates the emergence of new media ecologies in and from South Asia and the profound changes that they are having on subjects, social worlds and older forms of media such as films and TV. It uses a transnational framework to study how people try to make sense of new media as well as how they participate in and transform it.

This book was originally published as a special isuue of South Asian Popular Culture.

The emergence of new media today in South Asia has signalled an event, the meaning of which remains obscure but whose reality is rapidly evolving along gradients of intensity and experience. Contemporary media in and from South Asia have come to sense a new arrangement of value, sensation, and force - new forms of becoming that might be usefully termed as ''media ecologies''. This evolution from nation-based forms of communication (Doordarshan, All India Radio, the "national" feudal romance) to simultaneous global ones conform and mutate the structures of feeling of local, national, diasporic and transnational belonging. This collection of original essays is concerned with understanding how people are making meaning from the new media and how subaltern tinkering (pirating, peer to peer file sharing, hacking, noise jamming, indymedia, etc.) does things to and in the new media. This exciting works helps us to make sense of the creation of new publics, new affects and new experiences of pleasure and value in convergences of intermedia in a fast developing South Asia context.

This book was originally published as a special issue of South Asian Popular Culture.