Intermedial Encounters Between Image, Music and Text : With and Beyond Roland Barthes

Contents: Fabien Arribert-Narce and Alex Watson: Introduction – Image – Davide Messina: Snowflakes and Shadows: Giordano Bruno after Dick Higgins – François Giraud: The Grain of the Voice and the Materiality of the Digital Image in Alain Cavalier’s Irène (2009) – Alex Watson: Intermedial Post-Romanticism: W. G. Sebald’s Ruins of Empire in Austerlitz (2001) – Music – Alexandra Smith: The Imaginaire of Music and the Representation of Emotions in Lev Tolstoy’s Novel Childhood – Keita Hatooka: Sound of Adaptation: Jaws (1975) and Psycho (1960) – Keijiro Suga: Poetical Interlude: «Water Schools» (水の小学校) – Language/ Text – Beata Migut: In-Between Languages, Words and Images: Yoko Tawada’s The Naked Eye – Rumiko Oyama: Image and Text in Multimodal Texts: Intermediality between Visual Images and Japanese Writing Systems – Barthes – Fabien Arribert-Narce: Roland Barthes’s Intermedial Practice of Life Writing: Collecting (Auto-)Biographemes, between Image and Text – Matthis Hervieux: Barthes’s Bunraku: An Intermedial Approach to Alterity – Peter Dayan: Afterword: Barthes, Fortunately, Had Never Heard of What We Call Intermediality.