Book Details
Format
Paperback / Softback
ISBN-10
3034308663
ISBN-13
9783034308663
Edition
New
Publisher
Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint
Peter Lang AG, Internationaler Verlag der Wissensc
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Jun 13th, 2012
Print length
366 Pages
Weight
556 grams
Dimensions
15.20 x 22.70 x 2.30 cms
Product Classification:
The arts: general issuesSocial & political philosophyPsychology
Ksh 11,100.00
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Philosophical essays collected here are predicated on the conviction that we live in a time when all-encompassing philosophical systems can no longer be seriously entertained as a true reflection of extant reality. This title shows that every perspective displays a coherence and illuminating power of its own.
The philosophical essays collected here are predicated on the conviction that we live in a time when all-encompassing philosophical systems can no longer be seriously entertained as a true reflection of extant reality. Instead, an indefinite number of perspectives on – or discursive appropriations of – what is thought of as ‘reality’ are possible. Sometimes they diverge and sometimes they intersect in surprising ways, as these essays show. While the belief in an all-inclusive philosophical system is rejected, the author shows that every perspective displays a coherence and illuminating power of its own.
The collection is divided into two parts. The first considers philosophy, the individual and society, covering themes including the deleterious effects of capitalism on natural ecosystems, the modern conception of ‘immortality’ in Nietzsche’s thought, Lacan’s provocative interpretation of capitalist discourse, the current status of the humanities in universities, individual autonomy, the meaning of ‘identification’, global ‘terrorism’, and Plato’s philosophical self-subversion. The second part gathers together perspectives on the arts and society, with the author arguing that reflections on cinema, architecture and music never isolate these arts from social concerns, but demonstrate their interconnectedness.
The collection is divided into two parts. The first considers philosophy, the individual and society, covering themes including the deleterious effects of capitalism on natural ecosystems, the modern conception of ‘immortality’ in Nietzsche’s thought, Lacan’s provocative interpretation of capitalist discourse, the current status of the humanities in universities, individual autonomy, the meaning of ‘identification’, global ‘terrorism’, and Plato’s philosophical self-subversion. The second part gathers together perspectives on the arts and society, with the author arguing that reflections on cinema, architecture and music never isolate these arts from social concerns, but demonstrate their interconnectedness.
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