Inventing Slavonic : Cultures of Writing Between Rome and Constantinople
Book Details
Format
Hardback or Cased Book
Book Series
Oxford Studies in Byzantium
ISBN-10
0198891504
ISBN-13
9780198891505
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 8th, 2024
Print length
296 Pages
Weight
642 grams
Dimensions
16.20 x 24.10 x 2.30 cms
Product Classification:
Writing systems, alphabetsEuropean historyMedieval history
Ksh 18,650.00
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In this meticulously researched study, Mirela Ivanova offers a new critical history of the invention of the Slavonic alphabet. Showing how the alphabet was not invented once, but rather continually contested and redefined in the century following its creation, Ivanova challenges the prevalent nationalist historiography that has built up around it.
Few alphabets in the world are actively celebrated, and none more so than the Slavonic. Annually across Eastern Europe, the alphabet and its inventors, Cyril and Methodios, are celebrated with parades, concerts, liturgical services, and public addresses by presidents, ministers, and mayors. Inventing Slavonic: Cultures of Writing Between Rome and Constantinople offers a new reading of the invention of the Slavonic alphabet and its implications. Its premise is simple: namely, that the alphabet was not invented once, but that it continued to be contested and redefined in the century after its creation. However, Inventing Slavonic goes against the grain of modern scholarship and popular common sense, where a stable and fossilized story about Cyril, his brother and companion Methodios, and the alphabet still persists. Mirela Ivanova shows that this well-known story is, in fact, a Frankenstein''s monster, bolted together from texts which originally attributed quite different and often conflicting meanings to the elements which make up this supposedly unified narrative. In this narrative''s place, the book offers a series of new readings of our earliest sources for the alphabet''s appearance. In doing so, it constructs a new social history of the early script''s fragility, and the ways in which its existence was conditioned by changes in socio-political life between Rome and Constantinople.
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