Islam and Romanticism : Muslim Currents from Goethe to Emerson
Book Details
Format
Paperback / Softback
ISBN-10
1780745664
ISBN-13
9781780745664
Publisher
Oneworld Publications
Imprint
Oneworld Academic
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 6th, 2014
Print length
288 Pages
Weight
402 grams
Dimensions
15.70 x 23.70 x 2.10 cms
Product Classification:
Literary studies: generalIslam
Ksh 3,700.00
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A sweeping new work revealing Islam’s influence on literary Romanticism, mapping the impact of Muslim sources on the West’s most seminal authors, from J.W. Goethe to R.W. Emerson
Revealing Islam’s formative influence on literary Romanticism, this book recounts a lively narrative of religious and aesthetic exchange, mapping the impact of Muslim sources on the West’s most seminal authors. Spanning continents and centuries, the book surveys Islamic receptions that bridge Romantic periods and personalities, unfolding from Europe, to Britain, to America, embracing iconic figures from Goethe, to Byron, to Emerson, as well as authors less widely recognized, such as Joseph Hammer-Purgstall.
Broad in historical scope, Islam and Romanticism is also particular in personal detail, exposing Islam’s role as a creative catalyst, but also as a spiritual resource, with the Qur’an and Sufi poetry infusing the literary publications, but also the private lives, of Romantic writers. Highlighting cultural encounter, rather than political exploitation, the book differs from previous treatments by accenting Western receptions that transcend mere “Orientalism”, finding the genesis of a global literary culture first emerging in the Romantics’ early appeal to Islamic traditions.
Broad in historical scope, Islam and Romanticism is also particular in personal detail, exposing Islam’s role as a creative catalyst, but also as a spiritual resource, with the Qur’an and Sufi poetry infusing the literary publications, but also the private lives, of Romantic writers. Highlighting cultural encounter, rather than political exploitation, the book differs from previous treatments by accenting Western receptions that transcend mere “Orientalism”, finding the genesis of a global literary culture first emerging in the Romantics’ early appeal to Islamic traditions.
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