Book Details
Format
Paperback / Softback
ISBN-10
0571214878
ISBN-13
9780571214877
Edition
Main
Publisher
Faber & Faber
Imprint
Faber & Faber
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Mar 18th, 2004
Print length
272 Pages
Weight
334 grams
Dimensions
12.60 x 19.90 x 2.30 cms
Product Classification:
Film theory & criticismFilm history, theory or criticism
Ksh 2,650.00
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The 1970s were the Golden Age for American film-making, with the emergence of such talents as Scorsese, Coppola, Spielberg, Lucas, De Palma, Altman, and Malick. Ryan Gilbey looks afresh at the remarkable movies of this era, and their gifted makers.
The 1970s were a Golden Age for American film-making, with the emergence of such talents as Scorsese, Coppola, Spielberg, Lucas, De Palma and Altman. Ryan Gilbey now looks afresh at the remarkable movies of this era, and their gifted makers. Today these directors are sometimes lambasted as sell-outs or burn-outs, but their best films of the Seventies - from American Graffiti to The Conversation, Nashville to Carrie, Badlands to Taxi Driver - still feel as urgent and innovative as they did on first release, and still inspire young film-makers at a time when movies are once more depressingly formulaic. These directors cultivated a fascinating eclecticism, driven by creative hunger and insatiable imagination. But what in the American scene were they reacting against, and just as crucially, what were they celebrating (or pillaging from other sources)? Gilbey also considers directors who established a body of work in the Seventies (Woody Allen), who blossomed as the decade progressed (David Lynch, Jonathan Demme), or who were prominent figures without being prolific (Stanley Kubrick, Terrence Malick). He takes each film and assesses its place in history while also scrutinising it as if for the very first time - as if it were coming to a cinema near you this Friday ...
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