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Italian Renaissance Frames at the V&A
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Italian Renaissance Frames at the V&A

Book Details

Format Hardback or Cased Book
ISBN-10 0750686197
ISBN-13 9780750686198
Publisher Taylor & Francis Ltd
Imprint Butterworth-Heinemann Ltd
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 29th, 2009
Print length 348 Pages
Weight 1,422 grams
Dimensions 25.50 x 23.90 x 3.30 cms
Product Classification: Renaissance artPainting & paintings
Ksh 27,900.00
Werezi Extended Catalogue 0 in stock

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Presents an analysis of the materials and techniques used on thirty eight of the V&A's Renaissance frames. This book teaches the reader to recognise frame style, structure and surface decoration of the period, as well as additions and alterations and later frames in the style. It is illustrated with 100-plus commissioned colour photos.

This visually stunning and technically detailed book is an in-depth analysis of the materials and techniques used on thirty eight of the V&A''s Renaissance frames. The book will teach the reader to recognise frame style, structure and surface decoration of the period, as well as additions and alterations and later frames in the style.  

* First detailed technical analysis of the V&A''s most important Renaissance frames

* Highly illustrated with 100 + colour photos of front back and details, digital reconstructions, section profiles, and illustrations of frame types, joints and mouldings. 

* Provides a comparative reference for Renaissance frames in other publications


Christine Powell has worked at the V&A since 1993. She is a Senior Furniture Conservator specialising in gilt wood European Furniture, mirror and picture frames.  She has also worked at The National Gallery London for seven years as conservator working on European painted and gilt wood altarpieces and frames and The Wallace Collection for two years on European gilt wood frames and furniture. She has taught and published articles on the history, materials techniques and conservation of gilding. Christine studied furniture making and restoration of furniture at the London College of Furniture (latterly the Metropolitan University) including wood finishing, carving and gilding. Before this she worked in private practice for furniture restoration and special paint effects firms. She also attended Epsom School of Art and Design.

Zoë Allen first joined the V&A in 2000 to work on gilt wooden objects for the British Galleries and returned to the V&A in 2003 where she has worked since as Frames and Gilded Furniture Conservator. Before joining the V&A full time she worked as a conservator for both public institutions, such as English Heritage, and private practices including projects at the Royal Academy, St Paul’s Cathedral and Somerset House. Zoë has published articles on her work. After a first degree in French Literature, Zoë studied conservation at the City & Guilds of London Art School. Her training covered the conservation of objects made from wood, stone and other sculptural materials, gilding and decorative surfaces. Internships included the National Institute for Restoration, Croatia, the Royal Collection, London and the Museum of London.


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