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James Fenimore Cooper versus the Cult of Domesticity
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James Fenimore Cooper versus the Cult of Domesticity : Progressive Themes of Femininity and Family in the Novels

Book Details

Format Paperback / Softback
ISBN-10 0786421282
ISBN-13 9780786421282
Publisher McFarland & Co Inc
Imprint McFarland & Co Inc
Country of Manufacture US
Country of Publication GB
Publication Date Apr 5th, 2005
Print length 197 Pages
Weight 272 grams
Dimensions 22.90 x 15.20 x 1.00 cms
Ksh 7,200.00
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Between 1820 and 1860 the ""Cult of Domesticity"" sought to maintain a status quo of piety, purity, obedience and domesticity in female behavior. Prominent male writer James Fenimore Cooper reacted, addressing the predominant cultural climate through texts that establish women as an integral part of the plot line.

Between 1820 and 1860 a set of established cultural values deemed the "Cult of Domesticity" sought to shape the private and public lives of individuals in a rapidly changing American society. Promoting the ideals of conformity in religious, domestic and personal development, the cult was particularly concerned with maintaining a status quo of piety, purity, obedience and domesticity in 19th century female behavior. While a number a female writers responded through literature to the social standards they were urged to emulate, the prominent male writer James Fenimore Cooper reacted as well, addressing the predominant cultural climate through texts that establish women as an integral part of the plot line.

This book provides a comprehensive discussion of James Fenimore Cooper''s view of family dynamics and explores his attempts to simultaneously present and critique the forces shaping the social development of the nation. The study places 10 relevant Cooper novels within the context of popular literary works by 19th century writers Lydia Maria Child, Catherine Maria Sedgwick, Susan Warner and Maria Cummins to demonstrate how Cooper approaches issues of Victorian domesticity and how his representations compare to those crafted by the contemporary women writers. Opening chapters discuss why Cooper chose the women''s fiction genre as his vehicle and present an overview of the "Cult of Domesticity" in fiction and nonfiction, delineating the origins and effects of 19th century domestic life. Remaining chapters address the role of the mother, the father and the central daughter figure in domestic fiction.


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