Japanese Horror Cinema and Deleuze : Interrogating and Reconceptualizing Dominant Modes of Thought
Book Details
Format
Hardback or Cased Book
ISBN-10
150136829X
ISBN-13
9781501368295
Publisher
Bloomsbury Publishing Plc
Imprint
Bloomsbury Academic
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Feb 10th, 2022
Print length
264 Pages
Weight
524 grams
Dimensions
15.90 x 23.70 x 2.20 cms
Ksh 18,000.00
Manufactured on Demand
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Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze.
In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition(1999) and Kairo(2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the "monstrous-feminine", can be transformed, allowing these models to become more flexible.
In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition(1999) and Kairo(2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the "monstrous-feminine", can be transformed, allowing these models to become more flexible.
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