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Jean-Jacques Lebel and French Happenings of the 1960s : The Erotics of Revolution

By: (Author) Dr. Laurel Jean Fredrickson

Manufactured on Demand
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Ksh 18,650.00

Format: Hardback or Cased Book

ISBN-10: 1501332317

ISBN-13: 9781501332319

Publisher: Bloomsbury Publishing PLC

Imprint: Bloomsbury Visual Arts

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Mar 25th, 2021

Print length: 242 Pages

Weight: 642 grams

Dimensions (height x width x thickness): 15.80 x 23.90 x 2.00 cms

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Combining a broad overview of Jean-Jacques Lebel’s coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, “Funeral of the Thing of Tinguely” (1960), and the most scandalous, “120 Minutes dedicated to the Divine Marquis” (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s. Research in Lebel’s archives, and others like the Archives nationale d’outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968.

Combining a broad overview of Jean-Jacques Lebel''s coming-of-age among Surrealists and his rupture with the movement, Laurel Jean Fredrickson focuses on two landmark happenings in this book: the first, “Funeral of the Thing of Tinguely” (1960), and the most scandalous, “120 Minutes dedicated to the Divine Marquis” (1966). This study illustrates the development and significance of French happenings in relation to cultural and political changes of the 1960s.

Research in Lebel''s archives, and others like the Archives nationale d''outre-mer are indispensable in the telling of this extraordinary historical and theoretical narrative. It illuminates sensitive, often veiled dimensions of postwar French society, from torture during the Algerian War, to government censorship, to the sexual politics of nudity in art. This volume shows how Lebel synthesized the lessons of Dada and surrealism and 1960s experimentalism, electrified by political radicalism, to participate in shaping the erotics and forms of revolution in May 1968.


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