Book Details
Format
Paperback / Softback
ISBN-10
303430126X
ISBN-13
9783034301268
Edition
New
Publisher
Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint
Peter Lang AG, Internationaler Verlag der Wissensc
Country of Manufacture
CH
Country of Publication
GB
Publication Date
May 14th, 2010
Print length
250 Pages
Weight
390 grams
Dimensions
15.70 x 27.30 x 1.50 cms
Ksh 9,250.00
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This series publishes works of scholarship drawn from the whole subject range of traditional Germanistik, originating both in Great Britain and in the Republic of Ireland. The weight of the series mainly falls on literature, theatre and cultural history from the eighteenth century onwards, in some cases with a strong comparative dimension.
This book gives an account of the literary representation of Jews as businessmen from the early nineteenth century to the onset of the Third Reich. The historical context provides the background for an examination of the literary representation of Jewish businessmen and presents evidence for the perpetuation, transformation, and combination of stereotypes.
The double bind of assimilation – that the Jews were vilified whether they succeeded or failed – is illustrated from literary treatments by the Romantic writer Wilhelm Hauff and the early twentieth-century writers Lion Feuchtwanger and Paul Kornfeld of the historical figure of ‘Jud Süß Oppenheimer’. Gustav Freytag’s use of the Jews as ‘counter-ideals’ in his notorious bestseller Soll und Haben (1855) and the onset of racial anti-Semitism in Wihelm von Polenz’s Der Büttnerbauer (1895) are illustrative of how literary anti-Semitism hardened in the course of the nineteenth century.
The book considers a number of literary texts, some well known, some less familiar, which are revealing of the way in which Jewish–Gentile relations were imagined in their time.
The double bind of assimilation – that the Jews were vilified whether they succeeded or failed – is illustrated from literary treatments by the Romantic writer Wilhelm Hauff and the early twentieth-century writers Lion Feuchtwanger and Paul Kornfeld of the historical figure of ‘Jud Süß Oppenheimer’. Gustav Freytag’s use of the Jews as ‘counter-ideals’ in his notorious bestseller Soll und Haben (1855) and the onset of racial anti-Semitism in Wihelm von Polenz’s Der Büttnerbauer (1895) are illustrative of how literary anti-Semitism hardened in the course of the nineteenth century.
The book considers a number of literary texts, some well known, some less familiar, which are revealing of the way in which Jewish–Gentile relations were imagined in their time.
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