John Keats : 21st-Century Oxford Authors
Book Details
Format
Hardback or Cased Book
Book Series
21st-Century Oxford Authors
ISBN-10
0199660875
ISBN-13
9780199660872
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Aug 10th, 2017
Print length
710 Pages
Weight
1,002 grams
Dimensions
15.10 x 22.50 x 4.90 cms
Ksh 30,450.00
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This new volume in the 21st-Century Oxford Authors series presents a substantial selection of Keats's writings arranged chronologically as his contemporary readers first encountered them. It places the poetry by which Keats was known to a reading public in his lifetime within the biographical context provided by his unpublished poems and letters.
This new edition in the 21st-Century Oxford Authors series presents a substantial selection of Keats''s writings arranged chronologically as his contemporary readers first encountered them. Its backbone is provided by the poems published in Keats''s lifetime--the three volumes, Poems (1817), Endymion (1818), and Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820), together with the small number of poems he published elsewhere. But a much larger body of Keats''s writing was seen only in manuscript, if at all, by Keats''s friends and family-the unpublished poems which include the dream vision, The Fall of Hyperion, his annotations of Shakespeare and Milton, and, above all, his extraordinary letters. These are placed at the date on which they were written or at their probable date. This selection of poems, prose, and letters therefore creates a double time scheme. It places the poetry by which Keats was known to a frequently antagonistic reading public in his lifetime within the extensive biographical context provided by his unpublished poems and letters. This substantial body of manuscript evidence, some of it not discovered until the twentieth-century and none of it known to Keats''s reading public, is now part of our understanding of his life and work, and allows us to follow his extraordinary intellectual, emotional, and artistic self-making in the three short years between Poems (1817) and 1820.
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