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John Logan: Plays One
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John Logan: Plays One

Book Details

Format Paperback / Softback
ISBN-10 1783198524
ISBN-13 9781783198528
Publisher Bloomsbury Publishing PLC
Imprint Oberon Books Ltd
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 1st, 2015
Print length 312 Pages
Weight 276 grams
Dimensions 21.10 x 13.10 x 2.20 cms
Ksh 3,600.00
Manufactured on Demand 0 in stock

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The first play collection from multi-award-winning playwright John Logan, author of Red, Peter and Alice and I'll Eat You Last.

The first collection of plays from the multi-award-winning legendary screenwriter and playwright. Contains the plays RED, PETER AND ALICE and I’LL EAT YOU LAST.

Contents: Introduction by Michael Grandage

RED
Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting. A moving and compelling account of one of the greatest artists of the 20th century whose struggle to accept his growing riches and praise became his ultimate undoing. Nominated for 7 Olivier Awards (2009) and winner of 6 Tony Awards (2010) including Best New Play.

PETER AND ALICE
When Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932, the original Alice in Wonderland came face to face with the original Peter Pan. In John Logan’s remarkable play, enchantment and reality collide as this brief encounter lays bare the lives of these two extraordinary characters.

I’LL EAT YOU LAST: A CHAT WITH SUE MENGERS
1981. Hollywood. Sue Mengers, the first female ‘superagent’ at a time when women talent agents of any kind are almost unheard of, invites you into her Beverly Hills home for an evening of dish, secrets, and all the inside showbiz stories that only Sue could tell… Back in the 1970s, Sue Mengers represented almost every major star in Hollywood; her clients were the talk of the town and her glamorous dinner parties were legendary. But by 1981 the glory days were fading. Her time was passing as a sleek and corporate New Hollywood began to emerge. The phone’s not ringing so much these days and Sue is forced to face the inevitable truth: the credits roll sooner than you think.


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