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John Singer Sargent – The Charcoal Portraits
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John Singer Sargent – The Charcoal Portraits : The Charcoal Portraits

Book Details

Format Hardback or Cased Book
ISBN-10 1913107469
ISBN-13 9781913107468
Publisher Paul Mellon Centre for Studies in British Art
Imprint Paul Mellon Centre for Studies in British Art
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 24th, 2025
Print length 407 Pages
Weight 2,524 grams
Dimensions 32.00 x 25.70 x 3.70 cms
Product Classification: Individual artists, art monographs
Ksh 14,500.00
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A comprehensive catalogue of Sargent’s charcoal portraits, capturing high society, professions, and the arts in an era of profound transformation   In comparison with his portraits in oil, John Singer Sargent’s charcoal portraits are relatively little known. In this authoritative new volume, Richard Ormond documents the nearly 700 drawings that make up this distinct strand of Sargent’s oeuvre. These portraits capture the essence of British and American high society in the late nineteenth and early twentieth centuries, portraying an elite clientele that includes aristocracy, royalty, politicians, artists, writers, actors, financiers, and philanthropists. Among Sargent’s subjects are such prominent figures as the Astors, Rockefellers, Vanderbilts, Du Ponts, the Prince and Princess of Wales, Ethel Barrymore, W. B. Yeats, and Winston Churchill.   Though renowned for his paintings of women, these charcoal portraits also reveal Sargent’s interest in depicting athletes across a variety of sports, from cricket and fencing to football and polo. This shift in subject matter from prewar to postwar, along with a sparser style characteristic of his charcoal work, casts new light on Sargent’s depictions of the period’s social landscape.   Surviving letters between Sargent and his patrons, reminiscences recorded in contemporary diaries, and David McKibbin’s extensive correspondence with sitters, both document the portraits and provide a vivid and human picture of the artist at work. Distributed for the Paul Mellon Centre for Studies in British Art

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