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John Squire: Disinformation
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John Squire: Disinformation

Book Details

Format Hardback or Cased Book
ISBN-10 1912613034
ISBN-13 9781912613038
Publisher Other Criteria
Imprint Other Criteria
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 1st, 2019
Print length 84 Pages
Weight 802 grams
Dimensions 23.60 x 31.70 x 1.60 cms
Product Classification: The arts: general issues
Ksh 10,800.00
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Paintings made from digitally distorted photographs, by Stone Roses guitarist John SquireBritish painter John Squire (born 1962) is most famous for being the lead guitarist in the Stone Roses, but he is also a prolific visual artist—his most recognisable piece being the Jackson Pollock–inspired artwork used on the Stone Roses’ 1989 eponymous debut album. This book, published to accompany an exhibition of Squire’s work at London’s Newport Street Gallery titled Disinformation, presents a new series. These large-scale oil paintings are based on photographs taken by the artist or found online. Squire alters the images using editing software, which he overloads to prompt visual glitches. These partially distorted, fragmented scenes are then enlarged from their original small-screen format and rendered in the traditional medium of oil and canvas. The figures blend and collide with their surroundings, their features confused and sometimes entirely lost. Also included is an interview with the artist by Michael Joo.

Paintings made from digitally distorted photographs, by Stone Roses guitarist John Squire

British painter John Squire (born 1962) is most famous for being the lead guitarist in the Stone Roses, but he is also a prolific visual artist—his most recognisable piece being the Jackson Pollock–inspired artwork used on the Stone Roses’ 1989 eponymous debut album.

This book, published to accompany an exhibition of Squire’s work at London’s Newport Street Gallery titled Disinformation, presents a new series. These large-scale oil paintings are based on photographs taken by the artist or found online. Squire alters the images using editing software, which he overloads to prompt visual glitches. These partially distorted, fragmented scenes are then enlarged from their original small-screen format and rendered in the traditional medium of oil and canvas. The figures blend and collide with their surroundings, their features confused and sometimes entirely lost.

Also included is an interview with the artist by Michael Joo.


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