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Kabuki's Nineteenth Century
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Kabuki's Nineteenth Century : Stage and Print in Early Modern Edo

Book Details

Format Hardback or Cased Book
ISBN-10 0192890913
ISBN-13 9780192890917
Publisher Oxford University Press
Imprint Oxford University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 7th, 2023
Print length 298 Pages
Weight 608 grams
Dimensions 24.20 x 16.50 x 2.20 cms
Product Classification: Theatre studiesDancePlays, playscripts
Ksh 16,150.00
Werezi Extended Catalogue 0 in stock

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Kabuki's Nineteenth Century reconsiders the nature of nineteenth-century Japanese theater by exploring the enormous body of printed material related to kabuki: playbills, actor critiques, theater guides, maps, actor prints, calendars, and broadsheets, featuring sixty illustrations from the late eighteenth through the early twentieth century.
Kabuki''s Nineteenth Century examines the theater culture of nineteenth-century Japan from the perspective of the history and materiality of the book, the nature of reception, and the making and making use of images. The aim of this book is to rediscover the kabuki theater of nineteenth-century Japan by shifting our critical focus from performance to print and the public sphere, and thus embedding theater history within the larger world of printed matter by means of which theatricality circulated beyond the stage and through which performance was most often consumed.Fundamental to Kabuki''s Nineteenth Century is a reconsideration of the nature of the printed archive itself. The book argues that the archive of printed material related to the theater in nineteenth-century Japan (playbills, actor critiques, theater guides, maps, actor prints, calendars, and broadsheets) is something more than--and more complicated than--a set of materials out of which we might reconstitute the always transient event of performance. Rather, the archive constitutes an object of inquiry unto itself, an object that reveals as much about the interrelations between and among various printed media and genres circulating beyond the confines of the theater as it does about what happened on stage. Even as we use these materials to examine the history of performance, a series of different questions might be asked: what can the production, consumption, and collecting of this enormous body of printed matter tell us about such problems as the role of print in everyday life, the construction of specialized knowledges, and the manner in which a culture archives itself?

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