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Karel Reisz
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Karel Reisz

Book Details

Format Paperback / Softback
ISBN-10 0719085667
ISBN-13 9780719085666
Publisher Manchester University Press
Imprint Manchester University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 1st, 2011
Print length 316 Pages
Weight 406 grams
Dimensions 21.60 x 14.00 x 1.70 cms
Ksh 3,700.00
Werezi Extended Catalogue 0 in stock

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This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the context of the 1960s and ‘70s counter-culture. -- .

Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema ''movement'' which attacked the parochial middle-class values of home-grown studio product with a vigorous commitment to everyday working-class subject matter and a poetically charged film style. This was immediately recognisable in the aesthetic of the international success of Reisz''s first feature, Saturday Night and Sunday Morning (1960).

As the import of Free Cinema rapidly dissipated during the ''Swinging London'' era, Reisz confronted the changing cultural mores of the 1960s and 1970s with a series of ambivalent films that critique the anarchic free spirit of the times, including Morgan (1966), Isadora (1968), The Gambler (1974) and Dog Soldiers (1978).

Drawing on Reisz''s early film criticism for Sequence and Sight and Sound, as well as interdisciplinary methodologies, this first career-length study explores Reisz''s personal brand of character-based realism, offering the spectator a privileged insight into an artist''s developing response to subjective and historical dislocation. The book should thus prove invaluable to film scholars, cultural historians and the Reisz aficionado.


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