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Karl Friedrich Schinkel
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Karl Friedrich Schinkel : Late Projects

Book Details

Format Hardback or Cased Book
ISBN-10 3936681783
ISBN-13 9783936681789
Publisher Edition Axel Menges
Imprint Edition Axel Menges
Country of Manufacture DE
Country of Publication GB
Publication Date Feb 20th, 2014
Print length 236 Pages
Weight 1,624 grams
Dimensions 31.00 x 24.50 x 2.20 cms
Ksh 4,700.00
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Karl Friedrich Schinkel's most popular designs date from 1834 and 1838 and were his last major projects in which he presented his ideal of architecture in brilliant drawings and watercolors.
Text in English & German. Karl Friedrich Schinkel called his designs for a palace on the Acropolis in Athens and for Orianda Castle in the Crimea a "beautiful dream". They date from 1834 and 1838 and were Schinkel''s last major projects, in which he presented his ideal of architecture in brilliant drawings and watercolours, as if in a last will and testament. Both the formal language of neo-Classical architecture and the quality of presentation are brought to a level here that can scarcely be surpassed. It is clear how highly Schinkel himself esteemed these two unrealised designs from the fact that he had them printed as coloured lithographs in his publication Werke der höheren Baukunst für die Ausführung erfunden (Potsdam 1840 to 1842). These lithographs are reprinted in a large format, complemented by the no less spectacular lithographs of the two Pliny villas, Tusculum, and Laurentinum. These works, which represent a highpoint in the long story of the reconstruction of the two villas that have come down to us only in literature, also show Schinkel''s impressive ability to demonstrate and convey his architectural ideas. He is profoundly concerned, both in the reconstructions of the Pliny villas and in the designs for the royal palace on the Acropolis and Orianda Castle to be archaeologically precise and to fulfil prescribed building programmes, but also to plumb the possibilities of architecture beyond mere utility. For the Acropolis palace project he had his eye mainly on the way in which the new building would interact with the surviving remains of the Propylaea and the Parthenon. In the Orianda project it is a glazed observation pavilion in the form of a temple that expresses architecture''s perception of itself more clearly than perhaps ever before.

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