Kerry James Marshall: History of Painting
Book Details
Format
Hardback or Cased Book
ISBN-10
1644230151
ISBN-13
9781644230152
Publisher
David Zwirner
Imprint
David Zwirner
Country of Manufacture
US
Country of Publication
GB
Publication Date
Aug 1st, 2019
Print length
96 Pages
Weight
772 grams
Dimensions
25.90 x 23.40 x 1.60 cms
Product Classification:
Art & design styles: from c 1960Individual artists, art monographs
Ksh 9,000.00
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Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself. In Kerry James Marshall: History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as paintings that force us to reexamine how artworks are received in the world and in the art market. In all the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life. Essays by Hal Foster and Teju Cole help readers navigate Marshall’s masterful vision, decoding complexly layered works such as Untitled (Underpainting), 2018, and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London in 2018.
Kerry James Marshall is one of Americas greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshalls critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artists masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshalls own artistic philosophy. This catalogue is published on the occasion of Marshalls eponymous exhibition at David Zwirner, London, in 2018.
In History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as force us to reexamine how artworks are received in the world and in the art market. In the paintings in this book, Marshalls critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.
Essays by Teju Cole and Hal Foster help readers navigate the artists masterful vision, decoding complexly layered works such as Untitled (Underpainting) (2018) and Marshalls own artistic philosophy. This catalogue is published on the occasion of Marshalls eponymous exhibition at David Zwirner, London, in 2018.
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