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Book Details

Format Paperback / Softback
ISBN-10 1988355214
ISBN-13 9781988355214
Publisher Metatron Press
Imprint Metatron Press
Country of Manufacture CA
Country of Publication GB
Publication Date Apr 20th, 2023
Print length 108 Pages
Weight 160 grams
Dimensions 14.60 x 21.00 x 0.90 cms
Product Classification: Poetry
Ksh 1,900.00
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Bringing together poetry, essay, and letters to “lovers, friends and in-betweens,” Eli Tareq El Bechelany-Lynch confronts the ways capitalism, fatphobia, ableism, transness, and racializations affect people with chronic pain, illness, and disability. knot body explores what it means to discover the limits of your body, and contends with what those limitations bring up in the world we live in. knot body was shortlisted for the QWF First Book Prize. Their second collection of poetry, The Good Arabs (Metonymy Press), won the 2022 Grand Prix du Livre de Montréal. Praise“For me, the power of knot body stems from its courage and unique voice in writing the ache, the ache of chronic pain, the ache of faulty diagnoses and bodily misreadings, and, equally, the ache for honest answers on how to love each other in all our dignity. Eli Tareq El Bechelany-Lynch is an artist and philosopher of talent, generosity, and heart. ”– David Chariandy, author of Brother (Penguin Random House)“In this moment, when trans, racialized and disabled bodies are met with violent and polarizing commentary within the public sphere, Eli Tareq El Bechelany-Lynch offers us the uninterrupted intimacy of knot body. As self-communional as Kiese Laymon’s Heavy and Terese Marie Mailhot’s Heart Berries, they amplify and queer the epistolary memoir genre. Each letter is emotionally and thematically complete and, too, each letter decidedly speaks to the next. Readers may ruminate on the sharp and sensual inquiry offered by each individual letter, or read cover-to-cover and be present to the gorgeously-engaged, call-and-response quality of knot body as a whole. ”– Amber Dawn, author of My Art is Killing Me (Arsenal Pulp Press) “knot body is such a generous tapestry of tenderness—a collection that brilliantly utilizes the direct address in a way that is not universal, but still beautifully communal. I reached the end of this collection and breathed in a newer, better world. ”– Hanif Abdurraqib, author of A Fortune for Your Disaster (Tin House)
Bringing together poetry, essay, and letters to “lovers, friends and in-betweens,” Eli Tareq El Bechelany-Lynch confronts the ways capitalism, fatphobia, ableism, transness, and racializations affect people with chronic pain, illness, and disability. knot body explores what it means to discover the limits of your body, and contends with what those limitations bring up in the world we live in. knot body was shortlisted for the QWF First Book Prize. Their second collection of poetry, The Good Arabs (Metonymy Press), won the 2022 Grand Prix du Livre de Montréal. Praise“For me, the power of knot body stems from its courage and unique voice in writing the ache, the ache of chronic pain, the ache of faulty diagnoses and bodily misreadings, and, equally, the ache for honest answers on how to love each other in all our dignity. Eli Tareq El Bechelany-Lynch is an artist and philosopher of talent, generosity, and heart. ”– David Chariandy, author of Brother (Penguin Random House)“In this moment, when trans, racialized and disabled bodies are met with violent and polarizing commentary within the public sphere, Eli Tareq El Bechelany-Lynch offers us the uninterrupted intimacy of knot body. As self-communional as Kiese Laymon’s Heavy and Terese Marie Mailhot’s Heart Berries, they amplify and queer the epistolary memoir genre. Each letter is emotionally and thematically complete and, too, each letter decidedly speaks to the next. Readers may ruminate on the sharp and sensual inquiry offered by each individual letter, or read cover-to-cover and be present to the gorgeously-engaged, call-and-response quality of knot body as a whole. ”– Amber Dawn, author of My Art is Killing Me (Arsenal Pulp Press) “knot body is such a generous tapestry of tenderness—a collection that brilliantly utilizes the direct address in a way that is not universal, but still beautifully communal. I reached the end of this collection and breathed in a newer, better world. ”– Hanif Abdurraqib, author of A Fortune for Your Disaster (Tin House)

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